Conference by Shannon Webb-Campbell

Date and Time: Thursday November 16th 2017 @ 4pm 

Place: A4-348 (FLSH) @ Université de Sherbrooke

Shannon Webb-Campbell is a mixed-Indigenous (Mi’kmaq) settler poet, writer, and critic currently based in Montreal. Her first book, Still No Word (2015) was the inaugural recipient of Egale Canada’s Out In Print Award. She was Canadian Women in the Literary Arts critic-in-residence in 2014, and sits on CWILA’s board of directors. Her work has appeared in many anthologies, journals and publications across Canada including the Globe and Mail, Geist Magazine, the Malahat Review, Canadian Literature, Room, and Quill and Quire. In 2017 she facilitated a book club-style reading of The Final Report of the Truth and Reconciliation Commission of Canada at Atwater Library in Montreal; she also championed Carl Daniel’s novel Bearskin Diary for CBC Montreal’s Turtle Island Reads. Who Took My Sister? is her second book.

« Qu’est-ce qu’un catalyseur d’imaginaires urbains? » Conférence de Dr. Simon Harel

Date: Le jeudi 9 novembre 2017 de 16h à 17h15

Lieu: A4-348 (FLSH) à l’Université de Sherbrooke

Simon Harel est professeur titulaire au Département de littératures et de langues du monde de l’Université de Montréal. Il est directeur du Laboratoire sur les récits du soi mobile, codirecteur du Centre de recherche des études littéraires et culturelles sur la planétarité et coresponsable du Catalyseur d’imaginaires urbain. Depuis quelques années, il propose des essais-fictions qui font place à la subjectivité du chercheur, dans une réflexion mettant en cause les lieux communs de l’identité. Codirecteur de Télé en séries (XYZ Éditeur) et auteur d’une quarantaine d’ouvrages, il a récemment publié Foutue charte. Journal de mauvaise humeur (Varia, 2017), Place aux littératures autochtones (Mémoire d’encrier, 2017) et Été 1965. Fictions du hobo (Nota bene, 2017); il publiera en 2018 La respiration de Thomas Bernhard chez Nota bene et La mort intranquille. Autopsie du zombie (en codirection avec Jérôme-Olivier Allard et Marie-Christine Lambert-Perreault (Presses de l’Université Laval).

 

« La Poétique de l’espace est-elle rationnelle? » avec Dr. Jean-Jacques Wunenburger

Date: Le lundi 2 octobre 2017 de 16h à 17h15

Lieu: A4-348 (FLSH) à l’Université de Sherbrooke

 

Jean-Jacques Wunenburger est professeur émérite de philosophie à l’université Jean Moulin Lyon3, ancien directeur du Centre de recherches IRPHiL de Lyon, président de l’association internationale Gaston Bachelard et de l’association des amis de Gilbert Durand, et codirecteur du Centre de recherches internationales sur l’imaginaire (CRI2i). Il a développé des recherches sur les images, l’imagination et l’imaginaire dans leurs relations avec la philosophie, les sciences et techniques, les médias, la santé, et la politique, entre autres.

Parmi ses publications, L’utopie ou la crise de l’imaginaire (1979), Le sacré (1981), La vie des images(1995), Philosophie des images (1997), L’homme à l’âge de la télévision (2000), Imaginaires du politique (2001), Une utopie de la raison. Essai sur la politique moderne (2002), Imaginaires et rationalité des médecines alternatives (2006), Imagination mode d’emploi. Une science de l’imaginaire au service de la créativité (2011), Bachelard, une poétique des images (2012), Le progrès en crise? ( 2014 ), L’imagination créatrice (2015), Esthétique de la transfiguration (2016), L’imagination géopoïétique (2016).

NOUVELLE PUBLICATION: “La lutte pour l’espace : ville, performance, et culture d’en bas”

 

Sous la direction de : Roxanne RimsteadDomenico A. BeneventiSimon Harel

Collection: Intercultures

Discipline: Urbanisme

Parution: 26 mai 2017

Description

Dans ce volume collectif, nous examinons le profond enchevêtrement de l’espace et du pouvoir dans les paysages locaux, dans les vies individuelles, et sur les scènes nationale et mondiale. Les luttes pour l’espace marquent et définissent les subjectivités incarnées du soi et de l’autre, ainsi que les espaces matériels et imaginés. Nous cherchons également à dépasser les barrières linguistiques, les frontières nationales, les catégories conceptuelles, les communautés et les silences, afin de relire des textes et des auteurs canoniques tout en écoutant de nouvelles voix et en captant des performances d’espaces contestés qui sont nouvellement reconnues ou inscrites dans la mémoire collective.

FEELING QUEER/QUEER FEELING International Conference / Colloque International

queer3

Date: 24, 25 & 26 May 2017

Place: Father Madden Hall, 100 rue Saint Joseph Street, St-Michael’s College, University of Toronto

See this attachment for details of the conference

 

Feeling Queer / Queer Feeling

International Conference University of Toronto, Canada May 24–26, 2017

As a physical and psychological phenomenon, affect takes place in the body and is both outside of and beyond representational mediations, as it mobilizes the concrete experience of the self, of others, and how we are in the world. In response, theories of affect are in our opinion tactical and strategic attempts to come to grips with shifting and nuanced aspects of infinite difference, to qualify the gradient of difference and alterity at the very core of the self. Certainly, we speak of feelings, sensations, emotions, perceptions, and “passions” but theories of affect call for critical sympathy and attention to attempt to translate into another language that which does not happen in words. We must take into consideration that words and concepts are only partial, incomplete, and imperfect attempts at translating experience and that translations reduce the complexity, wealth, diversity, multiplicity, plurality and singularity, of the phenomenon which we want to best describe. How can one then begin to apprehend that which is not within the range of oral or written language, that which cannot be communicated directly, and that which can be showed but not relayed in literature, cinema, painting, or by any other art form? How do we go about capturing, either materially or conceptually, that which cannot be apprehended or seized in any other way?

Another consequence of the desire to identify, classify and name the unnamable is to turn analysis into forms of discipline and to standardize the experiences of human beings, with both intended and unintended cultural, social, and political results which have to be critiqued. To be part of a family, a group, a community, and a nation, individuals must learn to regulate and adjust affects and affectivity in accordance with the norms that construct, in both public and private spaces, the shared or collective affective commons of the community. Whenever the translation of bodily expressions of affect is in turn constrained by social forms of regulation, then the possibility for an individual to identify with preestablished sanctioned forms of affectivity becomes, in fact, a negation of their own affect, and by extension of the singular and original self. Cultural, social, institutional, and political hegemonies – absolutely external to the individual – create, shape, and give meaning to what is believed to be the most profound expression of interiority. Interiority, as expressible, becomes an effect of illusion and external control.

Turning to Spinoza’s thought, Brian Massumi offers one of the simplest definitions of affect that can be offered as « […] “the capacity to affect or be affected.” This is deceptively simple. First, it is directly relational, because it places affect in the space of relation: between an affecting and a being affected. It focuses on the middle, directly on what happens between. More than that, it forbids separating passivity from activity. The definition considers “to be affected” a capacity” (Politics of Affect 91). Massumi places affect in an intersubjective, interrelationnal space that is both interactive and primarily physical, concrete, and corporeal. Affect touches each individual, each subject and, at the same time, it is a phenomenon that inheres in the collective, in plurality, and in multitude. Affect shapes us and informs us. It also offers response and resistance. For those reasons, it is also linked with questions of power – a diffuse power, a dissemination of power, a power which affects us and by which we affected and that remains imperceptible even in its most material effects. The power of affect and the affect of power are consequently intimately intertwined in the cultural, social, and political spheres.

Several critics and theorists in the last few years have questioned queer theory from the vantage point of affect, as well as affect theory from the vantage point of queer theory. For instance, we may consider Eve Kosofsky Sedgwick (Touching Feeling: Affect, Pedagogy, Performativity, 2002), Sara Ahmed (The Cultural Politics of Emotion, 2004; Queer Phenomenology, 2006; Willful Subjects, 2014), Lauren Berlant (Cruel Optimism, 2011), Heather Love (Feeling Backward: Loss and the Politics of Queer History, 2007), David L. Eng (The Feeling of Kinship: Queer Liberalism and the Racialization of Intimacy, 2010), Ann Cvetkovich (An Archive of Feelings: Trauma, Sexuality, and Public Lesbian Cultures and Depression: With Public Feeling, 2003), Mel Y. Chen (Animacies: Biolopolitics, Racial Mattering, and Queer Affect, 2012), Anthony Siu (Architectural Grotesque: Impersonal Affects and the New Queer Cinematic, 2013), Shaka McGlotten (Virtual Intimacies: Media, Affect, and Queer Sociality, 2013), Judith Butler (Senses of the Subject, 2015), and David M. Halperin and Valerie Traub (Gay Shame, 2009).

The work of these critics and theorists reconsiders, updates, and problematizes the tradition of analysis of the passions, sentiments, feelings, sensations, and emotions. They also approach in very different ways the older problematics of rhetorics, poetics, hermeneutics, and aesthetics. Several take up and reframe the canonical work of Spinoza, Hobbes, Rousseau, Kant, Husserl, and Bergson. The encounters between queer theory and affect have thus recently become stimulating and productive in critiques of queer embodiment and its relation to the social, the emergent, and the world.

Conférence sur le cinéma documentaire par Giovanni Princigalli

giovanni

 

DATE: Jeudi 27 octobre 2016 de 16h00 à 17h15

LIEU: A6-1002

Giovanni Princigalli parlera du domaine du cinéma documentaire comme rituel, voyage, formation et défi. Il présentera son parcours de cinéaste et partagera son expérience de réalisation et de recherche pour son documentaire sur les Roms de la trilogie CAHIERS GITANS, réalisé entre 2001-2014. Il discutera du cinéma documentaire comme découverte de micromondes, de communautés, et du marginal dans le contexte de son œuvre, en situant les expériences des grands documentaristes du cinéma italien Vittorio de Seta, Gianfranco Mingozzi, et Gianfranco Rosi entre autres.

Giovanni Princigalli est né à Bari en Italie, où il a obtenu une maîtrise sous la direction de Franco Cassano en sciences politiques, option historique sociale, avec le mémoire Pour une sociologie du voyage, regards nomades et sédentaires, l’identité, la souffrance, la liberté. En 2006, à l’Université de Montréal, il a obtenu une maîtrise en cinéma sous la direction de Silvestra Mariniello, mémoire en scénario au titre Enchantements et désenchantements du Héros Fragile. Il a également étudié le film ethnographique à Paris avec Annie Comolli, le documentaire à l’école Robert Flaherty avec Carlo Alberto Pinelli et la scénarisation à Cagli avec Giuseppe Piccioni et Umberto Contarello. Il a suivi une master class avec à l’ICAIC de Cuba avec le metteur en scène et dramaturge Calros Celdran. En 2013 il a obtenu un certificat de cinéma pour l’enfance et l’adolescence à l’école TIGI de Buenos Aires.  En fin, il a été membre de jury pour le festival Vues d’Afrique, le festival Présences autochtones,  pour le Conseil des arts du Canada et pour le Conseil des arts et des lettres du Québec.

En 2007, il a fondé à Montréal la société Héros Fragiles dont les films ont été télédiffusés par Rai International, TV5 Afrique, Planète, Canal Vox, Illico Vidéotron, Community Channel et Repubblica TV.  Il a été lauréat de la SCAM et des Giovani Artisti Italiani, il gagné des prix au Festival du Film Ethnographique de Belgrade, au Mediterraneo Video Festival Documentario Internazionale d’Agropoli, aux Rencontres Cinématographiques de Digne-Les-Bains, de la Society of Visual Anthropology et le prix des Détenus au festival cinématographique Résistance de Foix. En 2012 il a été nommé au Premio Doc/it Professional Award.

Two Lectures by Visiting Professors from Holguín, Cuba

vilma

DATE: Jeudi 29 septembre, 2016 @ 16h

PLACE: A4-348, Université de Sherbrooke

The Role of Culture in the Cuban Education System

Dr. Vilma Paéz Pérez, Professor of English, Holguín, Cuba

  1. Title: The role of Culture in the Cuban Education System

Education is one of the key pillars of the Cuban society. It has been a highly ranked system for many years, widely recognized for its quality and good results. In spite of the economic difficulties the country has faced for more than half a century, priority has always been given to education and health care.

What has allowed Cuba’s education system to perform so well, even under the severe resource constraints, is the continuity in its education strategies, and an inclusive and carefully structured system, whose main aim is the comprehensive formation of the students at all levels. For that purpose, developing in the students a sense of belonging to a culture and inculcating national values in their behavior is a way to ensure the quality in their formation, so that the model of an educated society we have set out to create, can be achieved as a reality of Martí’s maxim that there is no possible equality without equality of culture.

In this talk we will examine the political, pedagogical and sociological foundations of the Cuban Educational System, its accomplishments over the last 55 years; the principles underlying the educational policy of the Cuban government as well as the changes that are currently being made with the participation of administrators, principals, teachers, students and other social agents, to continuously raise the quality of its results.

  1. Teacher Training and Teacher development in Cuba, a history of challenges and commitment.

The teaching profession is one that entails challenges and hard work but also growth, joy, and fulfillment. Nevertheless, everywhere in the world, most teachers complain that they are asked to work too much and that they are underpaid. Cuba is not an exception, being a teacher in Cuba is very demanding and requires that one is really committed to do a good job.

The beginning of a new academic year is a great celebration in Cuba. This year, with almost two million children and youth being welcomed in classrooms across the country, in 10,600 educational institutions, with enrollment increasing slightly in elementary schools, we are facing a shortage of qualified teachers in some educational levels.

A recurring theme during meetings held with the Education authorities was the attention and motivation provided to teaching staff and the role of pedagogical high schools in guaranteeing teacher coverage at the primary and preschool levels, in special education, and in training English teachers for elementary schools, with a view toward transforming instruction of this language at all educational levels.

Quality teachers need to have formal training, dedicate time to prepare lessons and goals for students and foster a learning environment that can inspire students to want to learn. With this aim in mind, new teacher training schools has been opened in the country making a total of 24 institutions of this kind, where 21,000 students are enrolled.

Education of teachers is a strong priority in Cuba, and teacher preparation programs are set in accordance to the changes the education system undergoes. There is a wide range of teacher training schools and university programs to train teachers for all educational levels all over the country. It is also important to ensure continuing education programs. There are two areas that seek professional development: professional enhancement and graduate academic programs.

The way this teacher training and development is organized, conducted and evaluated is presented in this talk.

Dr. Vilma Páez Perez earned her Bachelor of Education with concentration in English, at the Instituto Superior Pedagogical Holguín, her Master of Science of Education and a PhD in Educational Sciences. She works at the Holguín University as Professor and Dean of the Facultad de Humanidades. Her accomplishments include the publication of over twenty articles on the teaching of foreign languages as well as writing dictionaries and manuals.

Teaching English to Medical Students in Cuba

Dr. Salvador Escalante Batista, English Professor, School of Medical Sciences, Holguín, Cuba

Medical students have to pass all the subjects included in a 6-year academic Syllabus. These students should master English not only for deeper knowledge of all the areas of medicine, but also because they are also trained to provide medical assistance abroad and English is practically a lingua franca in all the countries where they are supposed to work, except in those where Spanish, French, Arabic or Portuguese is the first language spoken.   English has to be taken by medical students during the first 5 years of their university studies. This talk gives a general idea of the characteristics of the subjects within English that are taught at medical universities in Cuba.

 

La Déconstruction comme indice de dissimulation d’un traumatisme d’enfance: Le Cas de “Nord perdu” de Nancy Huston

Screen Shot 2016-08-29 at 5.28.49 PM

Danielle Schaub, Oranim College of Education, Isreal

DATE: Jeudi 8 septembre, 2016 @ 16h

PLACE: A4-348, Université de Sherbrooke

Dans son étude sur la théorie de la négativité psychique élaborée par Melanie Klein, Jacqueline Rose suggère une lecture de textes « s’attachant aux moments où l’écriture déraille, quand elle fait défaut à . . . ses propres tests de cohérence, révélant . . . son ‘autre’ scène », démontrant ainsi « le triomphe de l’inconscient » (Rose 128). Examiné de la sorte, Nord perdu de Nancy Huston révèle un modèle particulier de déraillement. Le texte semble perdre pied petit à petit alors même qu’il s’engage dans une recherche d’une source originaire pour déconstruire la métaphore « perdre le nord », liée à un traumatisme d’enfance. La voix textuelle reste flottante d’autant plus que le langage dérive du centre du moi de la voix textuelle. Nord perdu illustre une exploitation singulière du jeu de mots Derridien, fabricant des associations tout en sondant les significations de la dés/orientation. Cependant, même si le langage explose, le texte reste néanmoins lié à des modèles unitaires phallocratiques. La déconstruction dans Nord perdu poursuit les traces d’abstractions intellectuelles, n’explorant pratiquement pas la trame émotionnelle, physique et sensuelle, effaçant ainsi le lien avec la terre. Bien que le texte tende à dépasser le sens unitaire, la voix textuelle suit un fil unidirectionnel, évitant les zones affectives, effaçant le féminin source de traumatisme enfantin, l’incitant ainsi à se prendre à son propre piège.

Danielle Schaub a fait ses études à Bruxelles (Belgique) et à Cambridge (Angleterre). Elle a enseigné à l’Université de Cambridge en Angleterre et à l’Université Libre de Bruxelles en Belgique avant d’émigrer en Israël. Elle enseigne la littérature anglaise et canadienne ainsi que l’écriture créative au Département d’Anglais d’Oranim, the Academic College of Education (l’ancien campus secondaire de l’Université de Haïfa). Sa recherche a porté sur les écrits autobiographiques, la littérature transnationale, les représentations spatiales de la subjectivité féminine ainsi que sur l’interaction entre le texte et l’image. Influencée par sa récente formation en bibliothérapie, sa recherche porte présentement sur les représentations littéraires du trauma et sur les interprétations psychanalytiques d’oeuvres filmiques.